SPATIAL Festival returns this September, expanding across the rooms of the iconic Funkhaus to present over 60 pioneering artists through listening sessions, live performances, and art installations.

Originally conceived as the most sophisticated radio broadcasting center of its time, Funkhaus houses some of the world’s most acoustically refined spaces—from vast resonance chambers to massive recording studios.

For SPATIAL, MONOM reimagines these architectural landmarks for a new era, merging their acoustic design with advanced spatial sound technologies to create the optimum experience for communal listening.

The listening sessions and live performances are created bespoke using 4DSOUND, a holographic sound instrument developed over a decade of artistic and technical research.

TICKETS

Friday 12.09 - from 13:00 to 23:00

AMP: Kateryna Ziabliuk, Andy Aquarius, Hoarfrost

AMP: Julia Just, Henry Weekes, Ana Rosa, Alireza Toghiyani

Origin Te Yon’ton x MONOM

Live (Opening Ceremony)

Romain Azzaro & Jeanne Briand

CHANGEOVER FROM DAY TO NIGHT TICKET

Walter Sallinen with NEKO3 and Marta Soggetti

Perfect Pitch: Nika Kim, Clarissa Lucattini & Alexey Orlov

Live (Butoh Performance)

Saal 2

21:10 - 21:55

Saturday 13.09 - from 13:00 to 21:00

Yen Chun Lin and Gediminas Žygus

CHANGEOVER FROM DAY TO NIGHT TICKET

Saturday 13.09 - Richie Culver's Late Night Sessions (special ticket required)

Sunday 14.09 - from 13:00 to 23:00

Marijn Cinjee & Julia Sinclair

Mastery presents Quantum Sound

Listening Session

Saal 2

15:45 - 16:30

CHANGEOVER FROM DAY TO NIGHT TICKET

James Allister Sprang

Christina Vantzou & John Also Bennett

Live (Collective Breath Ceremony)

Saal 2

20:05 - 21:05

*Listening Sessions are a playback of a pre-recorded work in 4DSOUND for focused, spatial listening.

Friday 12.09, Saturday 13.09, Sunday 14.09

Paulin Paulin Paulin with MONOM

Installation

Saal 1

14:00 - 22:00

MONOM ft Quantum Gong

12, 13, 14

September

TICKETS

3Ω

3Ω is a sonic liberation project by Paloma Angulo, Isabella Hauck, and Storm Hartley, fusing gongs and psychoacoustic electronic music to create immersive somatic experiences. Their mission is to transform resistance (Ω) into resonance, inviting audiences into the infinite essence of universal sound. Drawing from backgrounds in sound therapy, trauma-informed health care, audio engineering, breath work, hypnosis, and gong building, they offer a multidimensional approach to sound. 3Ω bridges the ancient art of the gong—rooted in metallurgy, tuning, and transcendence—with anti-structural noise practices, using sustained vibration and layered harmonics to restructure inner vibrational patterns and disrupt sensory conventions.

For the first time at Spatial Festival, 3Ω premieres a carefully attuned live experience centred on physioactive listening "TERRAHYMN (Breathwork Session)"—merging the vibrational potency of gongs, hypnosis, and Conscious Connected Breathwork to restructure internal rhythms and expand spatial awareness through 4DSOUND. Breath is a vital force that animates all life—expressed as tonality through complex human biorhythms and geologic movement. From the vast interiors of the Earth, breath is tectonic—exhaling into the abyssal oceanic trenches of the Hadal Zone, which maps the sonorous terrain of the composition. Developed in residency at MONOM, the session invites nervous system regulation, embodied coherence, and neurological entrainment to reveal hidden dimensions of the subconscious and access altered states.

Note on Contraindications: This session is not suitable for individuals with cardiovascular conditions, severe medical conditions, epilepsy, recent surgery, or heightened sensitivities—it should be approached with informed consent and self-awareness.

Produced by MONOM | Composition: 3Ω (Storm Hartley, Paloma Angulo, Isabella Hauck) | 4DSOUND Spatialization: William Russell | 4DSOUND Engineer: Shehryar Ahmad | Curated by: Alessandra Denegri (MONOM LIMINAL)

Abyss X

Aïsha Devi

ALAKARI

Ale Hop

Ale Rios

Alejandra is a Mexican sound designer, multimedia artist, and researcher. Her primary focus centers on the voice as an expanded technology, exploring sonic memory, historical silences, and the voice as a vessel for cultural and political expression. Her practice also fuses textiles and sound, where sonic elements overflow into fabric, texture, and tactility. She uses sound to explore and reshape perception, blending the boundaries of the imaginary and the poetic. Her works are a mosaic of fragments—sounds that emerge from everywhere and nowhere—creating soundscapes that dissolve into dreamlike worlds. She invites listeners into sensory experiences that defy the limits of reality. She embraces in-betweenness and ambiguity, allowing these elements to flow through her compositions and expand the boundaries of sonic storytelling.

"No se va a caer, lo vamos a tirar."

"It won’t fall, we’re going to bring it down."

A metal wall stands to suppress a rising, restless tide — bodies pressed together, voices demanding justice. Built to silence, it instead becomes an instrument of resistance: the metal, a technology embodied and expanded, struck, sounded, subverted. The barrier falters as our voices become amplified within its resonance. From friction emerges a chorus — grief and rage suspended in air, weaving a collective rhythm. Originally built to suppress protests in Mexico City’s Zócalo on March 8th — International Women’s Day — this metal barrier becomes the central subject of the piece. Composed using field recordings of hands and bodies striking its surface during the demonstration, the work recontextualizes a moment of collective defiance, presenting it as a poetic and raw soundscape of resistance. This work reclaims containment as amplification. In sound, we persist.

Composition: Alejandra Rios | Curation: Kika Echeverría | 4DSOUND Spatialization: Alejandra Rios | Field Recordings: MX Marea Verde, Kika Echeverría, Gabriel Reyna, Radio Paisajes, Colectivo Mujeres Pájaro | Singer: Cecilia Sordo | Special thanks to: Alessandra Denegri, William Russell, Alejandra Cárdenas

Aleksi Perälä

Alex Groves

Andrea Belfi

Italian-born Andrea Belfi is a drummer, composer, and experimental musician based in Berlin. Over the years Belfi has built a sound world blending the complex timbres of the acoustic with the endless possibilities of the electronic. Belfi has a strong live reputation internationally and his performances are known to be energetic and hypnotic, featuring long-arching immersive soundscapes. He was invited by Thom Yorke to open for his solo show on an international tour in 2019. His last releases Ore and Strata gained Belfi many new fans including tastemakers Mary Anne Hobbs, Gilles Peterson, and Sasha Frere-Jones among others. Over the last few years, he’s been collaborating and touring with artists such as Nils Frahm, Mouse on Mars, Jóhann Jóhannsson, Mike Watt, Circuit des Yeux, David Grubbs. He has been on stage at Philharmonie de Paris, Montreux Jazz Festival, The Greek Theater (Los Angeles), Unsound Festival (Krakow), Barbican Center (London), Issue Project Room (New York), and CTM Festival (Berlin).

"Above My Door, There Is Knocking" by drummer and composer Andrea Belfi centres on two acoustic percussive instruments: a bass drum and a cymbal. These elements merge into a broader electronic composition, forming a sonic body that expands into orchestral dynamics. The 28-minute piece explores the acoustic potential of the instruments within the room, where shifting moments of vulnerability and force shape an abstract narrative. Percussion moves through space—at times like a gentle knock, at others like a sudden collision—merging with electronics to register as breath or pressure. Developed during a November 2022 residency at MONOM in Berlin, the piece was composed for their original 4DSOUND system and premiered at SPATIAL festival in Berlin, followed by a presentation at Lobe Studio in Vancouver. Disclaimer: This composition bears no relation to or inspiration from Bob Dylan’s "Knocking on Heaven’s Door".

Composition: Andrea Belfi | 4DSOUND Spatialization: William Russell, Shehryar Ahmad | 4DSOUND Engineer: Shehryar Ahmad

Ange Halliwell

Bobby Beethoven

Bonamasa

Casimir Geelhoed

Christina Vantzou & John Also Bennett

Croatian Amor

DJ DEATHDEFY

EMS Synthi 100

Evita Manji

Gaika

Genesis P-Orridge

Grand River

HEMS

Hesaitix

Ilhem

IOANN

James Allister Sprang

Jan Jelinek

Loraine James

Marijn Cinjee & Julia Sinclair

Mastery presents Quantum Sound

MONOM + Eve Matin

MONOM LIMINAL

MONOM

NikNak

Origin Te Yon’ton x MONOM

Perfect Pitch: Nika Kim, Clarissa Lucattini & Alexey Orlov

Richie Culver

Robert Curgenven

Romain Azzaro & Jeanne Briand

Rrose

Ruby Singh

Ruby Singh is a multi-award-winning performer, composer, producer, and educator based on the unceded territories of the xʷməθkʷəy̓əm, Sḵwx̱wú7mesh, and səl̓ílwətaʔɬ Nations (Vancouver, BC). Their creativity spans music, poetry, photography, and film, engaging with mythos, ecology, justice, and fantasy. Singh’s sound design draws from the natural world and cosmos, using both traditional and emergent sonic practices. They have been nominated for Jessie and Leo awards and received the Lieutenant Governor’s Jubilee Award for excellence in Art and Music in 2022. In 2023, Singh earned a Juno nomination and won the WCMA Global Music Artist of the Year and BC Touring Council Artist of the Year. In 2024, they were awarded the WCMA Electronic/Dance Artist of the Year. Their work includes "Polyphonic Garden", "Jhalaak", "Vox.infold", "RupLoops", "The Future Ancestors", and "kraKIN". Singh believes in art’s power to reimagine futures and promote justice.

Ruby Singh’s "Vox.Infold II" explores life’s gateways with songs that welcome souls, mark earthly time, and honor outgoing spirits. The album reflects cyclical time, mirroring transitions between spirit, birth, life, death, and return to spirit. It opens with “Solar,” inviting spirits to return, and closes with “Mojuba,” a Vox.Infold version of a traditional Yoruban hymn sung by ancestors as we cross into the next world. The ensemble includes PIQSIQ’s Tiffany Ayalik and Inuksuk Mackay, Dawn Pemberton, Russell Wallace, Shamik Bilgi, Tiffany Moses, Hussein Janmohamed, and Singh. Together, they create a rich, resonant, and sensory expression of spiritual journeys through polyrhythm, polymeter, lush harmonies, and polyphonic poetry.

Composition: Ruby Singh, Vocalists: Dawn Pemberton, Inuksuk MacKay, Ruby Singh, Russell Wallace, Shamik Bilgi, Tiffany Ayalik, Tiffany Moses, Produced and Arranged by: Ruby Singh, Moon of Open Hands by Russell Wallace, Recorded & Mixed at AfterLife Studios by John Raham Mastered at CPS Mastering by Brock Macfarlane 4DSOUND Engineer: Shehryar Ahmad 4DSOUND Spatialization: Shehryar Ahmad

Suricata

Federico González (Suricata), born in 1993, is a multidisciplinary musician and sound artist whose work bridges indigenous auditory traditions and avant-garde electronic music. This Mexican composer's art explores sound's role in shaping cultural identity and social change. González's diverse musical background includes the Tort Method at Artene Institute, classical training at CIEM, jazz studies at Berklee College of Music, and a Bachelor's in Sound Communication and Media Studies. His approach to Sound Communication over traditional conservatory training reflects a shift towards a more holistic understanding of music as a social and cultural phenomenon. González's work incorporates field recordings, DIY instruments, and custom-built circuits, blending classical piano training with an Afro/Indo/Latin electronic identity. His exploration of cultural identity through music offers insights into the complexities of Mexican heritage, embracing the space between European and Native American influences. His pseudonym "Suricata" reflects an interest in eusociality and collective consciousness.

Zatun Zat, referring to a Mayan labyrinth, is meant to be a sonic labyrinth. When we enter a labyrinth, we make choices—left, right, center, right. Each turn seems deliberate, but suddenly, we arrive at a point where we know that in the next step we will be completely lost. From that moment on, the only way to get out of the labyrinth is forward, the only way out is in. The only way forward is transformation. I started composing this piece in 2016, and I have been working on it since then. Identity is not something we inherit—it is something we have to actively construct. I am white in Mexico. I am a stigmatized Mexican in Europe. The way I am perceived shifts depending on where I stand, just like sound does in this room. Zatun Zat is made up of many fragments—field recordings, voices, echoes of places I have been, things I’ve listened to that have changed me. Each sound is a memory, an artifact of movement and transformation.

Composition: Suricata | 4DSOUND Spatialization Shehryar Ahmad | 4DSOUND Engineer: Shehryar Ahmad | 4DSOUND Assistants: Michael Barnett

Suzanne Ciani

Tati au Miel

The Rainbow Machine

Walter Sallinen with NEKO3 and Marta Soggetti

Wilding AI

William Russell

William Russell is an Australian-born spatial sound artist, composer, and the co-founder and creative director of Monom Studios. With a background in spatial sound design and classical percussion, William has collaborated with over 150 artists since the opening of Monom Studios in December 2017 to produce and present more than 100 spatial sound works across a diverse range of genres and disciplines, including music, dance, opera, theatre, and virtual and augmented reality. As an artist, William is particularly focused on creating and recreating the sonic and spatial dynamics of climate phenomena. His works incorporate music to inspire empathetic awareness of the environment and highlight the inseparable connection between humans and nature.

For Human / Nature / Machine Interactive the audience will be invited to become the performer and composer of the space, interacting with a piano and various material objects as instruments to control the sonic dynamics of natural phenomena - wind, water, air, and fire. A trio between human, nature and machine exploring human nature, this symphonic and kaleidoscopic exploration, places the listener in an augmented sonic reality, of music and environment mixed together as one through the machine that is the 4DSOUND system. An environment that the audience controls. Additionally, throughout the composition, the sounds of extinct species will be ever present, serving as a haunting reminder of the impact of human activity on the natural world. This serves as a powerful commentary on the complex and often destructive relationship between humans and the environment, and highlights the urgent need for us to reconsider our actions and their consequences. As the installation progresses, the interplay between the piano, the environment, the material objects, and the extinct species creates a rich and immersive sonic landscape that blurs the boundaries between music and sound art. Through this unique and thought-provoking performance, William Russell invites the audience to reflect on their own relationship with nature and the role of technology in shaping our perceptions of the world around us.

Yen Chun Lin and Gediminas Žygus

Yen Chun Lin is a Berlin-based Taiwanese artist whose practice dwells in the state of falling—falling into sleep, into wakefulness, into the unknown. In her Syn-sleep Listening Experiment, she encountered a dragonfly. Guided by this delicate companion, she explores various nuanced states of being and becoming within their shared environments. These encounters become portals through which she attunes to the subtle vibrations of existence and the shifting edges of perception.Gediminas Žygus is a Lithuanian artist working within the fields of sound, film, and performance. Their practice explores the experience of selfhood in the post-Anthropocene, focusing on the sculptural and architectural dimensions of sound and the metaphysical and ecological intimacies of art making. Through performance, albums, and short films, Žygus investigates alternative genealogies and the politics of narrative, devising sonic worlds that are at once visceral and conceptually layered. Žygus has presented works and collaborations at Barbican Centre, Berghain, La Biennale di Venezia, Centre Pompidou, Haus der Kunst (Munich), HKW (Berlin), ICA (London), The Kitchen (New York), and others.

"Tunnel" blends dreams, sound, and stories to explore spectral intimacies and states of in-between. Beginning as research into tunnels as phenomena that connect regions, beings, and realities, the project engages with themes of absence, darkness, transformation, and love. Characters shift forms—becoming other bodies and species—while traversing realms of light, dark, memory, and time. The work has been presented as a 30-minute sound walk for Creamcake’s “Is Cold in the Water?” festival in Berlin, inside a spiral-shaped tunnel with 16 speakers, and as a 45-minute spatial sound installation at Taipei Fine Arts Museum. "Tunnel" is a poetic exploration of tunnels as narrative devices, spiritual geographies, and architectural phenomena. It listens to fluid, dreamlike states—spaces where knowledge systems dissolve, memories flow like water, and tunnels act as portals between histories and futures, fiction and feeling, self and the unknown.

Composition: Yen Chun Lin & Gediminas Žygu, 4DSOUND Spatialization: Gediminas Žygu & Yen Chun Lin, 4DSOUND Engineer: Shehryar Ahmad

Yu Lin Humm

4DSOUND

Arch by Urbiks Music

Catalyst

Omni Soundlab

spæs Lab

SPATIAL Festival presents

VIDEO BARNUM

Paulin, Paulin, Paulin

with MONOM in 4DSOUND

Design heritage meets experimental sound practice in this collaboration between Paulin, Paulin, Paulin and MONOM. Together, they will reimagine Saal 1—the largest recording studio in the world—as an instrument for embodied spatial listening.

Saal 1, built in the 1950s as the crown jewel of the GDR’s Funkhaus broadcasting complex, was designed for the recording of full symphony orchestras. Its architecture—vast, resonant, and acoustically perfected—has hosted the sonic experiments of generations. a fully spatialised environment that connects tactile vibration to an omnidirectional holographic sound field through 4DSOUND.

At the heart of the installation is Video Barnum — conceived by Pierre Paulin in 1985 for the Grand Palais and brought to life in recent years by Paulin, Paulin, Paulin. Originally envisioned as an immersive environment integrating architecture, object, and image, it has never before been experienced as a work of pure sound. For this first sonic transformation, MONOM replaces the visual focus of the original with a spatial audio architecture, allowing the work’s iconic form to become an instrument in itself.

The piece will integrate Video Barnum’s internal sound system with 4DSOUND’s spatial audio software and a layered loudspeaker array, replacing the original video imagery with holographic sound fields to create a virtual sonic reality. Experienced without external visual stimulus, the work invites the audience to generate their own inner “films,” unfolding entirely within the mind’s eye—creating an environment where sound moves as freely as light does, above, below, and around the listener, dissolving the boundaries between audience and artwork.

›Polyphonic Views‹

curated by PASSAGE

›Polyphonic Views‹, explores  the intersections of sound, technology, and visual art.

In line with PASSAGE’s curatorial identity, each of the over 30 artists is presented through a stand-alone installation, creating a parcours of immersive encounters across the Funkhaus complex.

Polyphonic Views embraces multiplicity, giving form to a layered, resonant experience that reflects the many voices of contemporary practice. The exhibition runs for three weeks, with a series of events and activations held in collaboration with SPATIAL Festival.

From paintings and sculptures to performances  and sound works, the exhibition unfolds within the Shedhalle of Funkhaus. Today, this space serves as  a site where echoes of the past meet the pulse  of the future.

More info

Alexei Cerrone

Allen Golder Carpenter

Amrita Dhillon

Anastasia Shivrina

Anide

Anna Uddenberg

Anne de Vries

Christian Jankowski

Cornel Brudascu

Emmanuel Massillon

Felix Kiessling

Genesis P-Orridge

Gozié Ojini

Hannah Rose Stewart

Hermann Nitsch

Irving Ramó

Ivan Seal

James Leyland Kirby

Jean-Baptiste Durand

Johannes Seluga

Joshua Tarelle Reid

Ju Young Kim

Julian Charrière

Julius von Bismarck

Kieran Leach

Léa Bouton

Liang Fu

Lukas Heerich

Marcus Nelson

Mathis Altmann

Mauricio Alejo

Nik Nowak

Olaf Metzel

Philip McHugh

Rafa Silvares

Richie Culver

Rob Blake

Roberto Rivadeneira

Ross Alexander Payne

Tobias Spichtig

Funkhaus

Funkhaus, the ex GDR broadcasting centre, now,
a massive recording studio facility, and event hall in Berlin by the river spree. Home to the largest recording studios in the world, these rooms within rooms, offer unparalleled acoustic perfection and total separation from the outside world.

FUNKHAUS

MONOM Studio

Shedhalle

Sound Chamber

Saal 1

Saal 2

Listening Sessions are a playback of a pre-recorded work in 4DSOUND for focused, spatial listening.

MONOM is an artist-run studio working at the intersection of spatial sound, music, art, and technology.
Utilizing 4DSOUND technology, we craft spatial sound experiences across the entire spectrum, from ideation to exhibition—artistic direction, touring, curation, technology and system integration. We believe in sound as a powerful medium for change and transformation. With spatial sound at the center, we aim to create transformative experiences that are accessible and available to everyone.

The way we perceive sound — subtle, refined, and deeply complex — shapes the core of SPATIAL Festival. Sound is how we sense space itself, and listening is central to this experience: to truly listen is to be fully present, to feel with the entire body. As technology evolves, it expands our capacity to explore, record, and reveal hidden patterns in the world — from the subatomic to the cosmic — helping us reflect on our place within it, and on our deep interconnectedness with one another and the universe. Questions of intelligence, consciousness, and emotion are being illuminated through these tools, just as art has always illuminated our shared humanity.

In an era where spatial technologies are advancing — a shift as radical as the evolution of still photography into cinema — the Spatial Arts are emerging as a new artistic movement, treating space itself as a primary medium for composition and experience. SPATIAL, as MONOM’s research and development platform, connects and amplifies this global shift by centering sound as the entry point to spatial experience, creating a platform for artists, technologists, and audiences to explore it together. Most of the works presented have been crafted over extended periods of development in our studio, to create an experience that you cannot replicate or experience fully except for in person and felt with the whole body. SPATIAL mission is to empower artists to expand their own practices into holographic sound, and supports an emerging multidisciplinary artistic and philosophical movement that explores the connection between inner and outer space, internal and external realities.

To bring this vision to life, MONOM will build the largest 4DSOUND installations to date across the iconic halls of Funkhaus. No stage. No best seat. The boundary between audience and artwork dissolves, transforming Funkhaus into an instrument for communal listening. Listeners are invited into a spacious, focused experience rooted in sound and space at their purest.

We recommend arriving 30 minutes before the start of the live performance.

Cell phone use is not permitted during the sessions.

Silence is required during the listening experience, if you need to talk you are welcome to do it in the lounge area.

MONOM has a zero-tolerance policy for any form of abuse, harassment, or discrimination.

Which payment methods are accepted in the lounge?
Card only.

Can I bring my dog?
No, unfortunately dogs are not allowed inside the Funkhaus spaces.

Can minors attend the experience?
This exhibition contains moments of high sound pressure levels and intense sensory elements, including periods of darkness, vibration, and spatialized sound. For health and safety reasons, we kindly ask that visitors under the age of 12 do not attend.
We appreciate your understanding as we aim to create a safe and focused listening environment for all participants.

Will food or drinks be available?
Yes. Funkhaus has two restaurants, Zola and Milchbar, which will be open during the festival. Additionally, the MONOM Bar and the Block B Foyer Bar will be serving during the program.

What is a listening session?
A listening session presents pre-recorded works, played in a darkened room to focus attention on sound. These pieces have often been created or mixed over more than 40 hours of work, and will not include a live artist performance on stage.

Can I take photos or videos?
We ask that you do not use your phone during listening sessions, as the light can disturb others. During live concerts, please take photos or videos discreetly.

What time should I arrive?
We recommend arriving at least 20 minutes before your scheduled session to allow time for check-in.

Can I buy tickets at the door?
Tickets are subject to availability — we recommend booking in advance.

Is there a silence protocol during the sessions?
Yes. Speaking is not allowed during listening sessions. If you speak, you may be asked to leave the room to respect the experience of other visitors. We all need moments of silence, especially right now, and we want to make sure everyone has the chance to receive that.

Human Technology
The body, as an advanced listening instrument, has evolved to perceive sound spatially. To listen is to listen spatially... Through embodied listening, we engage not just the ears but the entire sensory system—creating a deep, multi-dimensional connection to sound. This is the essence of our approach, where the listener becomes an active participant completely as if within alternate virtual reality of sound In our festival, we leverage the body’s innate ability to perceive and process sound in ways that go beyond traditional stereo or surround sound listening environments, enabling a fully embodied and holistic interaction with the sonic landscape.

4DSOUND
4DSOUND is an Amsterdam-based studio and technology company dedicated to spatial sound as a creative medium. For over a decade, it has been at the forefront of developing advanced spatial audio software and omnidirectional sound systems. Through the creation of custom-built technology and close collaboration with pioneering artists, 4DSOUND has cultivated a vibrant international network of creatives, engineers, venues, and institutions spanning music, art, education, and research.
At its core, 4DSOUND is a collaborative engine for artistic and technological innovation. By fostering interdisciplinary partnerships across a global community of artists, researchers, and technologists, the studio bridges cutting-edge spatial audio tools with bold creative vision. Its mission is not only to advance the possibilities of spatial sound but to empower creators to redefine the boundaries of musical expression and sound-based storytelling. Through this evolving ecosystem, 4DSOUND continues to shape the future of immersive performance, interactive environments, and experimental sound art.

Tickets are non-refundable but transferable.

Different tickets provide access to different areas of the festival. Be sure to inform yourself about access: Each ticket type grants entry to specific spaces, so please review the details to ensure you have the correct pass for the areas and events you wish to attend.

Day Pass:
Each day pass grants access to all sessions from start to finish - Saal 1, Saal 2, MONOM Studio, and Shedhalle. Please note that day passes do not include access to the Club Night at MONOM on Saturday, 13th.

Weekend Pass:
The weekend pass provides access to the entire festival, including all installations, from start to finish. However, it does not include entry to the Club Night at MONOM on Saturday, 13th.

Check-in will take place at the entrance of Block B and at the entrance of Shedhalle, where you’ll receive a wristband giving you access to the respective rooms.

Additional ticket types and projects will be announced in July and August.

If you have any issues with your tickets or need assistance, please email us at: info@monomsound.com

Funkhaus Berlin
Nalepastraße 18
12459 Berlin – Germany

premium bootstrap themes

We’re proud to collaborate with our media partners, whose support helps amplify the vision and reach of SPATIAL Festival. Through their platforms and voices, they connect our community worldwide and make it possible to share the experience beyond Funkhaus Berlin. A heartfelt thank you to each of them for standing with us in shaping the future of sound, art, and technology. Media Partners The Node Institute 36 Degrés Minimal Collective Earthed Musically Influencer Ambassadors: Lola Villa CNDSD Microhm.io Chang Rodrigues

Artistic Direction: Alessandra Denegri & William Russell
Sound Direction: William Russell
Festival Production: Alessandra Denegri, William Russell, Alejandra Rios, Savvas Aslanidis, Nicolas Vidal
Live Program Co-Curator: Plural Management
Lead 4DSOUND Producer: William Russell
Senior 4DSOUND Engineer: Shehryar Ahmad
4DSOUND Engineer: Alejandra Ríos
Lighting: Peter Isachenko
Resonant Studies: William Russell, Hillary Cox, Peter Isachenko, Victor Calvi, Zap Bain
Strategic Partnerships: Laura June Clark
Social Media and Communications: Emil Andersen, Alejandra Cabrera
Art Program Production: PASSAGE
Art Program Curation: Victor Auberjonois, Konrad Biedenkopf
Visual Identity: SMLXL

Angaben gemäß § 5 TMG:
MONOM Sound GmbH
Wildenbruch Strasse 6
12045 Berlin

Vertreten durch:
William Russell

Kontakt:
E-Mail: info@monomsound.com

Registereintrag:
Amtsgericht Charlottenburg (Berlin)
HRB 189732 B

Umsatzsteuer-ID:
Umsatzsteuer-Identifikationsnummer gemäß §27 a Umsatzsteuergesetz:
VAT: DE313751848

Verantwortlich für den Inhalt nach § 55 Abs. 2 RStV:
William Russell & Zak Khutoretsky

Quellenangaben für die verwendeten Grafiken:
Photos by Becca Crawford
Photos/Portraits provided by individual artists

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Friday 12.09 - from 13:00 to 23:00

Saturday 13.09 - from 13:00 to 21:00

Saturday 13.09 - Richie Culver's Late Night Sessions (special ticket required)

Sunday 14.09 - from 13:00 to 23:00

Friday 12.09, Saturday 13.09, Sunday 14.09

Funkhaus

MONOM Studio

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Saal 1

Saal 2

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